@ chantalgibsonartist Vancouver BC
@ chantalgibsonartist Vancouver BC
Caitlin Press, 2021
In this follow-up to her award-winning debut collection, How She Read, Chantal Gibson delivers an unflinching critique of the representation of Blackness, past and present, in with/holding.
with/holding is a collection of genre-blurring poems that examines the representation and reproduction of Blackness across communication media and popular culture. Together, text and image call up a nightmarish and seemingly insatiable buzzing-clicking-scrolling-sharing appetite for a daily diet of Black suffering.
In this follow-up to her award-winning debut collection How She Read (2019), Gibson gives sombre voice to Nostalgia, “the signifying ache in search of its signified.” A meditation on the rise of falling monuments, in the wake of Add to Cart consumer culture, this collection draws on the language of brand marketing, news and social media, DIY culture and graphic design—”the tyranny of copy and paste”—to confront the role of the new colonial machinery in the relentless consumption and commodification of Black bodies.
How She Read is a collection of genre-blurring poems about the representation of Black women, their hearts, minds and bodies, across the Canadian cultural imagination.
Drawing from grade-school vocabulary spellers, literature, history, art, media and pop culture, Chantal Gibson’s sassy semiotics highlight the depth and duration of the imperialist ideas embedded in everyday things, from storybooks to coloured pencils, from paintings to postage stamps.
A mediation on motherhood and daughterhood, belonging, loss and recovery, the collection weaves the voices of Black women, past and present. As Gibson dismantles the grammar of her Queen Elizabeth English, sister scholars talk back, whisper, suck teeth, curse and carry on from canonized texts, photographs and art gallery walls, reinterpreting their image, re-reading their bodies and claiming their space in a white, hegemonic landscape.
Using genre-bending dialogue poems and ekphrasis, Gibson reveals the dehumanizing effects of mystifying and simplifying images of Blackness...Supported by the voices of Black women writers, the poems unloose the racist misogyny, myths, tropes and stereotypes women of colour continue to navigate every day.
Thoughtful, sassy, reflective and irreverent, How She Read leaves a Black mark on the landscape as it illustrates a writer’s journey from passive receiver of racist ideology to active cultural critic in the process of decolonizing her mind.
An anthology of Black art, poetry, prose, scores, scripts and silences
This anthology is a poly-vocal, visually stunning answer to the question, What are the sounds of community and how they are handed down? A home for Black art and culture in Seattle’s Central District, with this anthology Wa Na Wari makes a home for the essays, poetry, scores, scripts and silences of the Black poets, musicians, artists and scholars assembled by editors Rachel Kessler and Elisheba Johnson to wonder about the time-traveling, place-making power of sound.
Contributors:
Reviewed by Jannine Grant
April 2020
Reviewed by Fiona Tinwei Lam
Feb 3, 2020